COME TO PASS

Peer Gynt

The Thistle Project returns to the stage with Peer Gynt
A two-actor play starring Susan Coyne

We bring physical, environmental theatre to the historic Church of the Holy Trinity

Three years after our sold-out hit, Gorey Story, The Thistle Project returns to the Toronto stage with Peer Gynt, a tour-de-force performance piece adapted for two actors by director Erika Batdorf with the company. Playing in every corner of Toronto’s historic Church of the Holy Trinity, actors Susan Coyne (Soulpepper Founding Member and Gemini-winning performer and creator of Slings and Arrows) and our own Matthew Romantini bring Henrik Ibsen’s epic poem to life.

Our adaptation, which casts Coyne as Peer Gynt and Romantini as everyone (and everything) else, is an examination of Self: selfishness, selflessness, and integrity. It explores ideas of accountability, notoriety, and unconditional love through various elements of classical theatre, story theatre, dance, live music, and shadow puppetry. This colossal tale has been streamlined for two virtuosic performances, remaining a magical, 100-minute tribute to Ibsen’s original.

The designers make use of all physical, musical and illuminant aspects of The Church of the Holy Trinity to create a Peer Gynt that is fully integrated with its venue. Audiences follow the actors through the space before settling down for the moving climax. Due to the travelling and intimate nature of the performance, seating is limited to 46 audience members per night.

Directed by Erika Batdorf
Produced by Christine Horne
Set and Costumes by Lindsay Anne Black
Lighting Design by Jason Hand
Sound Design and Composition by Richard Feren
Performed by Susan Coyne and Matthew Romantini

DATES: January 29th – February 21st, 2010 (preview January 28th)
VENUE: The Church of the Holy Trinity (10 Trinity Square, next to the Eaton Centre)

Click on Library for a press release and media contact information. .

Peer Gynt Workshop and production generously supported by:


Workshop supported by:


The National Theatre of the World

The Thistle Project Hosts an
Impromptu Splendor

The National Theatre of the World performs a play NOT written by
Henrik Ibsenin support of Thistle’s upcoming production of PEER GYNT
(which was actually written by Henrik Ibsen, and then cut to pieces by the company)
Whee!



What: The evening includes:
Our always-excellent silent auction!
Discounted advance tickets to Peer Gynt!
Things to eat and drink!
And a brand new Ibsen play by the award-winning
National Theatre of the World!
(www.thenationaltheatreoftheworld.com)

When: Sunday, October 18th, 2009
Doors at 7:00, Impromptu Splendor at 8:00(or thereabouts)


Where: The Church of the Holy Trinity
10 Trinity Square, Toronto (right next to the Eatons Centre)

Why: Proceeds benefit Thistle’s upcoming production of Peer Gynt
directed by Erika Batdorf and featuring Susan Coyne and
Matthew Romantini, at the Church of the Holy Trinity in
January/February of 2010.

$25, please.

Waiting for the Dawn

Presented as part of the Summerworks Festival, Waiting for the Dawn is a solo work created by Erika Batdorf, and performed by Matthew Romantini.

In Waiting for the Dawn, Mr. Vain Imagination is trying "video therapy" for the first time, and finding it difficult to get used to, while Ms. Idle Fancy, a business woman from Georgia, asks God for a vision, but only if it comes in the next 24 hours. If nothing happens, she'll move on to astrology, or somethin' else.

In last-ditch attempts to understand how they're connected, Idle meditates in impossibly high heels, while Vain stays awake for nights on end. She takes the bus for the first time, he tries to turn into a tiger, and both look for a way to pick up an audience and put it in their hands.

Called "sophisticated and provocative," and a "down to earth, unpretentious amalgam of storytelling and dance…laced with affection and humorous moments," Waiting for the Dawn is a comedic romp through 55 real-time minutes with two people who don't even know that they're searching for one another.

As part of Chalmers and Canada Council Development grants, Erika taught this pre-existing solo to Matthew in late 2008 and early 2009 as a tool to practice skills in developing muscular dynamics, orational movement and creation of a solo work. At the termination of the grants, Erika and Matthew wanted to continue working on this piece, and Summerworks provided the perfect avenue for this.

La Femme Verte: A Cabaret

On 3 April, 2009, The Thistle Project hosted its third social event, La Femme Verte: A Cabaret. The gala supported the continued development of our new adaptation of Ibsen's Peer Gynt for a cast of two. The soirée was co-hosted by the incomparable Rosemarie and Wayne Umetsu, and took place at the Atelier Rosemarie Umetsu (96 Avenue Road). The hors d'oeuvres were amazing, the open bar fantastic, and performances by the renowned Jean Stilwell and Patti Loach, Brad Hampton, Terra Hazelton and Sophia Perlman were breath-taking and amazing! Many thanks to our hosts, the artists, and to you, our guests at this once in a lifetime event.

The War Is Over at Nuit Blanche

The War Is Over is a new butoh work by Artistic Co-Director Matthew Romantini, created in collaboration with the dancers for the Parkdale Village at Nuit Blanche.

It was presented at the corner of Queen and Cowan, outside the Parkdale Community Centre on the night of Nuit Blanche (4 October) at 8pm, 10pm, 12 midnight, and 2am. was danced by longtime butoh collaborator Ronya Lake (who came all the way from Victoria to dance in this work), and Toronto-based performers Brandy Leary, the Artistic Director of Anandam, Cara Spooner, winner of the Spedding Memorial Scholarship for Choreography, and by Matthew, too.

The piece was inspired by Steve Reich's Different Trains (though not using that music for the performance), it is a work that conceives of war as an obsolete force, and imagines what might take its place.

The Threadball Ball

On 25 May, 2008, exactly two years after our official launch, The Thistle Project's tremendous hosting skills were once again put to work at The Threadball Ball, a gala to support the development of our new adaptation of Ibsen's Peer Gynt for a cast of two. We also introduced you to our new board of directors, shared an evening with you, and introduced you to our favourite café in the city, Dessert Trends. The food was amazing, the juice bar incomparable, and you enjoyed performances by The Thistle Project and by the renowned Jean Stilwell and Patti Loach! It was an evening not to be missed.

Gorey Story Earns Four Dora Nods

At the press conference announcing the 2007 nominees for the Dora Mavor Moore Awards, we were thrilled to be nominated in four categories:

Outstanding New Play (Erika Batdorf, Christine Horne, Matthew Romantini and the Company)
Outstanding Production (The Thistle Project)
Outstanding Direction (Erika Batdorf)
Outstanding Costume Design (Ming Wong)

Congratulations to our whole cast and crew on these nominations. See the full list of nominees at the TAPA website

Gorey Story on YouTube

If you were unable to see the show, and are wondering what it was all about, we're up on YouTube! Check out the sample at YouTube

Gorey Story Voted Top 10 of 2006

Both NOW Magazine and critic Sandra Alland place Gorey Story in their Top Ten lists.
NOW Magazine voted the show #3 in its roundup of the 10 best shows of 2006.
We were the only debuting company on the list.
Jon Kaplan called our premiere show "terrific," "intensely physical" and "visually beguiling."

Read the full article at the NOW Website

Sandra Alland placed us at #5 on her Top Ten General Arts of 2006 -- a list of music, dance, visual art, film and theatre. We were the top theatre entry.

Read this list, as well as her Top Ten Books of 2006 on the Blissful Times website

Gorey Story

Have you seen the show, and would like to give us feedback? Leave your comments at info@thistleproject.ca

Audiences say:
"[I] was enthralled. It was the best piece of original theatre I've ever seen."
"Exactly what a theatrical event should be; thought provoking, visual, funny and inventive."
"Wonderful!"
"This is the type of show that reminds me why I love theatre."
"I am telling everyone I know that they MUST go."
"I'm still thinking about it!"
"Why was I laughing? This shouldn't be funny!"
"Brilliant. Playful. Moving. Simple. Graceful. I loved it. Absolutely."
"It was absolutely delightful! When was the last time I was so overtaken by an ensemble effort like this? I cannot even remember. Your images will continue to haunt me, and the memory of your play make me smile. Thank you thank you thank you."
"I loved the leap from one emotion to another."
Read a letter sent to us by someone who saw the show

Based on Edward Gorey’s The Gashlycrumb Tinies

Text adapted by Matthew Romantini and Christine Horne
Created by Matthew Romantini, Christine Horne and Erika Batdorf in collaboration with the company

World Premiere

Directed by Erika Batdorf
Featuring: Cole J. Alvis, Whitney Barris*, Christine Horne, Tania McCartney, Ginette Mohr, Matthew Romantini and Nathan Younger

*Whitney Barris appears courtesy of Canadian Actors' Equity Association

Set designed by Laura Gardner
Lighting designed by Jason Hand
Costumes designed by Ming Wong
Music Composition and Sound designed by Tom Kerr
Stage manager: Jessie Shearer

Supported by:

Media Sponsor:



1920’s debauchery. Edwardian repression. Clever rhymes... and twenty-six dead children. Can you blame the parents? Can you blame the little ones?
A charming little tale about desperation, conflagration and expiration. And putrefaction.

A comedy.

Gorey Story is a show about the extremes of neglect and human denial. How many of life’s events can we ignore?

The play is adapted from The Gashlycrumb Tinies, a darkly comic ABC by Edward Gorey, famous for his animated introduction to the PBS program Mystery!

Directed by Dora-nominated Erika Batdorf, associate playwright at CanStage, Gorey Story is an actor-driven physical and visual work that uses space and the body to bring Edward Gorey’s macabre and hilarious illustrations to life. The concept and original text was adapted by Christine Horne and Matthew Romantini and the play was created in collaboration with Erika Batdorf and the company.

Press Quotations:

Christine Horne
“Electric” -NOW Magazine

Matthew Romantini
“Smoldering...Low-key” “Shows great potential” -The Ottawa Citizen
“Witty and agile” -The Excalibur
“Sharp...strong” -The Dance Current

Erika Batdorf
“One of the most effective integrations of theater of movement and idea I have ever seen." - The Allentown Express (PA)
"…might just make you think about the way you think." -Providence Journal
“piercingly performed...compassionately written … compelling... she does it admirably.” - The National Post
“impressive, unique creation… humor, cunning internal logic and quiet intimacy...a piece of good intellectual theatre.... Textbook movement-based theatre delivered from its musty binding … breathtaking … not just credible… uplifting.” - EYE magazine
“Batdorf is marvelous…an appealing humanity.” - NOW Magazine

Marketing by:

To obtain this information in pdf format, as well as press images, please visit the Library page.

Gorey Story Workshop

The Thistle Project workshopped our inaugural show from 25 July to 6 August 2006, with primary support from The Laidlaw Foundation: directed by performing artist and creator, Erika Batdorf, and with the participation of Cole J. Alvis, Whitney Barris, Laura Gardner, Jason Hand, Christine Horne, Tom Kerr, Ginette Mohr, Siobhan Power, Matthew Romantini, Jessie Shearer, Ming Wong and Nathan Younger.

The Thistle Project’s Official Company Launch and Fundraiser. 25 May 2006.

Fabulous silent and live auctions, the patronise-an-artist program, amazing performances from singer Lauren Kerbel and others, and an exclusive sneak peek at our upcoming show, Gorey Story, based on Edward Gorey’s hilarious and macabre abecedarian, The Gashlycrumb Tinies. A massive success!